Within my studio practice I paint because painting is an incorporative and hybrid methodology in which to express, analyse and understand experiences. It is personal and collaborative. It enables and reflects uncertain outcomes linked to visual processes and interpretative storytelling.

As a painter I wish to mediate the traditional constituents of painting practice and the contemporary use of digital media.

In terms of mark-making, I am visually and conceptually intrigued by anonymous visual traces in public spaces and subsequent attempts to unsuccessfully erase them. These processes encapsulate absence and presence.