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West Gallery Thebarton

32 West Thebarton Rd
Thebarton, SA, 5031
0439 996 957

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West Gallery Thebarton

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Dora Chapman, Sunflower, 1969, screenprint.jpg

Dora Chapman

The outstanding career of Dora Chapman began early - even whilst still a student in Adelaide. Throughout her life she worked as painter, silk-screen printer, potter and art teacher and her impressive work encompassed landscape, portraiture, still life and interiors.

Chapman was concerned with the making of social realist art where subject matter floated as if in no particular location. Her images of people were severe, honest, realistic and frequently unflattering as she sought to represent the truth. There was a sexual ambiguity in her figurative work - features were strong, with short hair and clothing suitable for either gender, conceivably inferring that the artist could be a young man. Perhaps this is not surprising, for in those times women were given little support and often no place to exhibit in a realm dominated by men. As a member of the Studio of Realist Art (SORA), all exhibiting members were men and she was relegated to the position of social secretary.

Dora had such a strong integrity of approach to her work and this demanding attitude also infiltrated her whole approach to life and relationships.

- Prue Venables

Dora Chapman

The outstanding career of Dora Chapman began early - even whilst still a student in Adelaide. Throughout her life she worked as painter, silk-screen printer, potter and art teacher and her impressive work encompassed landscape, portraiture, still life and interiors.

Chapman was concerned with the making of social realist art where subject matter floated as if in no particular location. Her images of people were severe, honest, realistic and frequently unflattering as she sought to represent the truth. There was a sexual ambiguity in her figurative work - features were strong, with short hair and clothing suitable for either gender, conceivably inferring that the artist could be a young man. Perhaps this is not surprising, for in those times women were given little support and often no place to exhibit in a realm dominated by men. As a member of the Studio of Realist Art (SORA), all exhibiting members were men and she was relegated to the position of social secretary.

Dora had such a strong integrity of approach to her work and this demanding attitude also infiltrated her whole approach to life and relationships.

- Prue Venables

Sunflower, 1969

Sunflower, 1969

Acacia, 1970

Acacia, 1970

Head I, 1970

Head I, 1970

Eremophilla, 1970

Eremophilla, 1970

Passages, 1970

Passages, 1970

Passages to Nowhere, 1969

Passages to Nowhere, 1969

Habitation, 1970

Habitation, 1970

Teener, 1970

Teener, 1970

Dreaming Girl, 1970

Dreaming Girl, 1970

Fishgirl, 1970

Fishgirl, 1970

Girl with the Long Nose, 1970

Girl with the Long Nose, 1970

Golden Boy, 1969

Golden Boy, 1969

Burning Pyramid, 1970

Burning Pyramid, 1970

NFS

Kiln, 1973

Kiln, 1973

Head, 1969

Head, 1969

Kantinka, 1973

Kantinka, 1973

NFS

Stipa, 1970

Stipa, 1970

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